This course provides a view of the history of spaceflight, from early writings telling of human's fascination of space through the early Russian and American space stations. Developed as an interesting and entertaining slice of space history that is accessible to anyone with an interest in human spaceflight

During this project, you’ll use marquee tools, quick selection tools, and other selection tools to select, mask, and combine multiple images into a single composite. By the end of the project, you’ll be comfortable building selections of objects and people, two extremely useful abilities in Photoshop.

What is the purpose of government? Why should we have a State? What kind of State should we have? Even within a political community, there may be sharp disagreements about the role and purpose of government. Some want an active, involved government, seeing legal and political institutions as the means to solve our most pressing problems, and to help bring about peace, equality, justice, happiness, and to protect individual liberty. Others want a more minimal government, motivated, perhaps, by some of the disastrous political experiments of the 20th Century, and the thought that political power is often just a step away from tyranny. In many cases, these disagreements arise out of deep philosophical disagreements. All political and legal institutions are built on foundational ideas. In this course, we will explore those ideas, taking the political institutions and political systems around us not as fixed and unquestionable, but as things to evaluate and, if necessary, to change. We will consider the ideas and arguments of some of the world’s most celebrated philosophers, including historical thinkers such as Plato, Hugo Grotius, David Hume, Thomas Jefferson, and James Madison, and more contemporary theorists such as Michelle Alexander, Kwame Anthony Appiah, Bryan Caplan, Angela Davis, Ronald Dworkin, Jon Elster, John Hart Ely, H.L.A. Hart, Michael Huemer, Andrew Rehfeld, and Jeremy Waldron. The aim of the course is not to convince you of the correctness of any particular view or political position, but to provide you with a deeper and more philosophically-informed basis for your own views, and, perhaps, to help you better understand the views of those with whom you disagree.

This condensed survey course focuses on four key periods or themes from the history of design in the West. Together we’ll trace the emergence of design as a recognized practice, why things look the way they do, and how designers approached specific design problems in their work. Students will develop an understanding of where the wide variety of today’s design practice comes from. By participating in this survey of the works of innovative groups and individuals, we outline the process by which graphic design moved from a purely instrumental practice, to becoming a demanding creative and hybridized field. Each week, a short quiz will test your knowledge of concepts, and a short reflective assignment will give you the opportunity to analyze the questions designers ask themselves today. This is an essential course for emerging designers entering the field, or for students interested in learning more about visual culture and analysis. No previous experience is required. A note about this course: This course is taught from the perspective of contemporary design, to connect ideas that helped formulate design practice from the 1850s through the 1960s to the ways that designers think today. The relationship of words and pictures in graphic design is looked at through the ever-changing social and cultural contexts, technologies, aesthetics, and politics of their eras. The definition and practice of graphic design includes all public visual communications, which is a global practice. It was the evolution of mass production and communication in the West that specifically redefined graphic design as a professional practice and is this course’s particular narrative. We hope students will consider how to connect the themes and ideas offered in this course to your own culture.

In this project, you will learn how to start using Adobe Illustrator. Adobe Illustrator is a vector-based design program in which you can design anything from logos, symbols, icons, patterns, compositions for posters, web, social media, and any other marketing material you want to create. You will know the main software tools and their uses to be able to create different arts for marketing purposes. Knowing the basics of graphic design is a great added value to any professional today. You can extend your opportunities in the professional world with the right tools. Today we will be creating a simple logo using the key tools in Adobe Illustrator and you will be able to customize yours. If you are a creative person and with a lot of desire to do things out of the box this is the pro With the tools that you will learn today you will be able to create any art, get excited!

All educators will encounter students who struggle with writing. This course first focuses on the reasons student writers may be reluctant and then provides learners with a variety of strategies and practices to help reluctant writers develop a greater comfort and confidence with writing. Learners will examine classroom relationships, mentoring, scaffolding, conferencing, low-risk writing and mini-lessons, all tools and techniques that can be brought right into the classroom to help struggling writers increase student participation and success in writing. They'll conduct their own study of one reluctant writer and use their learning to help create a plan for teaching reluctant writers in their current and future classrooms.

In this course, you will learn what an argument is. The definition of argument will enable you to identify when speakers are giving arguments and when they are not. Next, you will learn how to break an argument into its essential parts, how to put them in order to reveal their connections, and how to fill in gaps in an argument by adding suppressed premises. By the end of this course, you will be better able to understand and appreciate arguments that you and other people present. Suggested Readings: Students who want more detailed explanations or additional exercises or who want to explore these topics in more depth should consult Understanding Arguments: An Introduction to Informal Logic, Ninth Edition, Concise, Chapters 1-5, by Walter Sinnott-Armstrong and Robert Fogelin. Course Format: Each week will be divided into multiple video segments that can be viewed separately or in groups. There will be short ungraded quizzes after each segment (to check comprehension) and a longer graded quiz at the end of the course.

Ideas and imaginaries inspire human capacity for great endeavours, but ‘conventional wisdom’ frequently prevents necessary change. Achievement of global sustainable development is, therefore, dependent on a profound comprehension of the preunderstandings and implicit imaginaries that form both our perception of reality and our basic confidence in the viability of transgressive action. The present-day concept and ideal of sustainable development contains many interlaced meanings and many contradictions. In order to bring out the concept’s indisputable transformative potential, and be able to gain support, promote decision-making and take action in it, it is, therefore, requisite to disentangle this mélange and shed light to the implicit preunderstandings . This course will contribute to doing so by focusing on the historical roots and multiple layers of meaning of sustainable development, and by exploring questions such as: ‘What is the historical background of the current Sustainable Development Goals?’, ‘Which imaginaries about relations between individual and collective tend to promote and prevent sustainable solutions?’, ‘How can ideas about humans and nature affect global development?’, And ‘how do we as humans react on inconstant notions of time and change?’ During this course, you will meet associate professor in history Bo Fritzbøger from Centre for Sustainable Futures as the primary lecturer and a range of cultural, natural and social scientists, all from the University of Copenhagen working with different aspects of sustainability thinking. We hope that you will join us in the course and qualify your participation in current discussions about how to achieve common sustainable development in a divided world.

In this course you will explore concepts and approaches involved in creating successful character designs that can be applied to video games. Following a first week delving into some foundational concepts for successful character design, each of the remaining three weeks are structured as a master class where you will observe three professional character designers at work in the studio: Andy Ristaino (Adventure Time), Jacky Ke Jiang (Journey), and Robertryan Cory (SpongeBob SquarePants). Each designer will take on two different design challenges on the fly and address the various issues in designing characters for games, such as movement, expression, and technical limitations. At the end of each week you will have an opportunity to try out some of the concepts from that week's lesson on characters of your own design. This is a fun and engaging class especially useful for students interested in animation in film and TV as well as games, and is suitable for students of any drawing ability.

You will gain a foundation for college-level writing valuable for nearly any field. Students will learn how to read carefully, write effective arguments, understand the writing process, engage with others' ideas, cite accurately, and craft powerful prose. Course Learning Objectives • Summarize, analyze, question, and evaluate written and visual texts • Argue and support a position • Recognize audience and disciplinary expectations • Identify and use the stages of the writing process • Identify characteristics of effective prose • Apply proper citation practices • Discuss applying your writing knowledge to other writing occasions