In this course you will learn to articulate your own concepts about (threatened) heritage and that of others. What is your heritage? Who defines heritage? Why is heritage under threat? How can we protect heritage? WW1, WW2, Cold war politics and contemporary conflicts as well as continuing political and socio-economic inequalities and colonial pasts are all factors playing a role in the global heritage discussions and approaches to (or lack of ) valorization and protection of heritage. Hence, issues behind destruction or threats to heritage are related to complex issues, often connected to complex landscapes of wars, the war-on-terror, fundamentalism, migration, global warming, financial crises, inequality and diverse interests of local communities. This course, sponsored by the LDE Centre for Global Heritage and Development and the Honours Academy of Leiden University, and the Netherlands Commission for UNESCO gave its support to one of the sections of the MOOC, will explore these issues. We wish to engage global communities and widen the perspective on threatened heritage. You can help us with this.

This course is focused on the early user experience (UX) challenges of research, planning, setting goals, understanding the user, structuring content, and developing interactive sequences. While the concepts covered will translate to many kinds of interactive media (apps, digital kiosks, games), our primary focus will be on designing contemporary, responsive websites. In this course you will complete the first half of a large scale project—developing a comprehensive plan for a complex website—by defining the strategy and scope of the site, as well as developing its information architecture and overall structure. Along the way we will also discuss: - Different job descriptions in the web design industry and where UX and UI skills fall within this spectrum - The difference between native apps and websites - The difference of agile vs. waterfall approaches - User personas and site personas - User testing The work and knowledge in this course continues in the last course in the UI/UX Design Specialization, Web Design: Wireframes to Prototypes, where you will tackle—finally—wireframes, visual mockups, and clickable prototypes. This is the third course in the UI/UX Design Specialization, which brings a design-centric approach to user interface (UI) and user experience (UX) design, and offers practical, skill-based instruction centered around a visual communications perspective, rather than on one focused on marketing or programming alone. These courses are ideal for anyone with some experience in graphic or visual design and who would like to build their skill set in UI or UX for app and web design. It would also be ideal for anyone with experience in front- or back-end web development or human-computer interaction and want to sharpen their visual design and analysis skills for UI or UX.

In this 2-hour long project-based course, you will learn how to create an interactive fiction text adventure game in Python, the basics of programming and of Python language. Note: This course works best for learners who are based in the North America region. We’re currently working on providing the same experience in other regions.

This course for serious makers, and for students new to imagemaking. Imagemaking is a fluid and exciting area of graphic design that comes out of practice and process: experimenting fearlessly, showing and sharing ideas, and giving and receiving knowledgeable and constructive input. For the sake of this online platform, we have applied some structure to our investigations, but for the most part imagemaking is loose and unstructured. If we must adopt a rule in this course it is only this: you will not become a graphic designer by watching videos alone. Or, don't just make stuff just in your head. So here, the focus here is on making, and you are expected to devote serious time and intellectual energy to that activity in this course. Specifically, you will: - experiment with a range of materials and techniques to make images for graphic design - expand your visual vocabulary both in terms of making and talking about work, in order to discuss your work and work of others - learn how to make, manipulate and arrange images to create compositions, eventually culminating in the design and production of an-image-based book. The first half of the course is an opportunity to experiment and explore imagemaking in order to expand your visual vocabulary. You will create pieces that are expressive, meditative, or 'design-y' to instigate, evoke, experiment, record, explain, or try out a media. In the second two weeks, we’ll invite the images to deliberately and intentionally carry meaning and communication through relational moves like juxtaposition, composition, and context. We’ll look at developing and expanding the range of approaches for putting things together by composing page spreads with your images. Since nothing exists without context, we look at how to intentionally drive the image’s connotations, meanings, and associations generated through elements of composition and “visual contrasts.” Ultimately, we will take the images that you create and make a book from them. The results of your assignments (and experiments) may generate something completely unknowable now or in the future—and that's the goal.

This course of Chinese Culture and Contemporary China will explore the foundations of Chinese civilization and the dimensions of Chinese culture. It will pay particular attention to the relationship between Chinese culture and the present-day life of the Chinese people and to the different elements of the culture which are under the present social structures, belief systems, literature, arts, customs, etc. The course aims at providing students with a deeper knowledge of Chinese culture, thus enabling them to better understand China. The course will cover the following main areas of topics: (1) the foundations of Chinese civilization: its geography, language, and history; (2) the core concepts in Chinese philosophies and religions: Confucianism, Taoism, and Buddhism; (3), literature and arts, including Chinese calligraphy, painting, Tang poetry, and classical fiction; (4) society and life, including education, the role of women, Chinese food, and traditional holidays; (5) travel and landscapes, including well-known Chinese cities, mountains, ethnic regions and customs; (6) Chinese media, culture and sports, including TV and movies, fashion, Chinese gongfu and taiji. In addition, students will be expected to participate in a buddy program beyond curriculum if they have a chance to come to Nanjing. Ideally they will be paired up: an international student with a Nanjing University student to allow students to learn firsthand about Chinese customs, culture, and language. Students will be required to complete various projects and homework assignments as well, which will encourage them to use Nanjing University and the city of Nanjing as a laboratory to apply what they learn during their stay at Nanjing University.

You've created a song. You wrote the lyrics, decided on the melody, and maybe even recorded a simple demo. Now what? If you have a basic knowledge of how to use a digital audio workstation (DAW) and are passionate about being a songwriter, this course will help you take your song from a simple recording on your phone to a fully arranged song ready for the recording studio. You will be learning from two Berklee College of Music Songwriting professors, Bonnie Hayes and Sarah Brindell. They will show you how to arrange original songs in a digital audio workstation. You will learn tools to heighten the emotional response of your listeners and you'll broaden your understanding of instrumentation and how to add sounds to your song without distracting the listener from the most important aspect: the vocalist.

By the end of this project, you’ll be comfortable building complex designs out of text in Adobe Illustrator. You’ll create and transform type, place type on curving paths, and apply advanced warping with Object distort commands. By the end of the project, you’ll create a poster with type around a sticker and customized text inside a shape.

As the second of four courses on Curanderismo, the art of Hispanic/Latino traditional medicine, this course focuses specifically on traditional healing of the body. As an educational and cultural platform, this course will share a number of traditional body therapies. Learners will not become certified traditional healers at the completion of this course but will be able apply basic principles or traditional medicine for health and illnesses. They will become familiar specifically with the traditional treatment of Empacho (intestinal blockage), Manteadas (shawl alignments), Ventosas (fire cupping), Hidroterapia (healing with water), and other topics such as the Huesero (bone setter). Future Curanderismo courses include: Traditional Healing of the Mind, Energy and Spirit: Temazcal (sweatlodge), Limpias (energetic/spiritual cleansings), Risaterapia (laugh therapy) and other topics. Global and Cultural Influences of Traditional Healing: African tradition, Afro Latino from Cuba and Puerto Rico, Native American spiritual cleansings and Mayan acupuncture and other topics. REQUIRED TEXTS Curanderismo: The Art of Traditional Medicine without Borders by Eliseo Torres Curandero: Traditional Healers of Mexico and the Southwest by Eliseo Torres with Imanol Miranda Where to buy: https://he.kendallhunt.com/product/curanderismo-art-traditional-medicine-without-borders https://he.kendallhunt.com/product/curandero-traditional-healers-mexico-and-southwest OPTIONAL TEXTS Curandero: A life in Mexican Folk Healing by Eliseo Torres & Tim Sawyer Healing with Herbs & Rituals: A Mexican Tradition, Eliseo Torres, edited by Tim Sawyer Where to buy: https://www.barnesandnoble.com/w/curandero-torres-eliseo-cheo/1120135382?ean=9780826336415&st=PLA&sid=BNB_1341481610&sourceId=PLAGoNA&dpid=tdtve346c&2sid=Google_c&gclid=EAIaIQobChMI3_6LmYev3gIViuNkCh3IPgUyEAQYASABEgLYXfD_BwE https://www.barnesandnoble.com/w/healing-with-herbs-and-rituals-torres-eliseo-cheo/1120135381?ean=9780826339621&st=PLA&sid=BNB_825204424&sourceId=PLAGoNA&dpid=tdtve346c&2sid=Google_c&gclid=EAIaIQobChMIrrvswYev3gIVBsRkCh3BXQCHEAQYASABEgLnl_D_BwE PODCAST: Blubrry podcast - https://www.blubrry.com/normallol/41068835/normal-lol-63-depersonalization-mental-wellness-curanderismomexican-traditional-healing-with-eliseo-cheo-torres/ Itunes Episode 63 - https://itunes.apple.com/us/podcast/normal-lol-depersonalization-derealization-anxiety/id1065740418?mt=2

Urbanization is reaching a new peak in the contemporary world with the rise of mega cities. Researchers try to make sense of these large urban areas using a variety of concepts. The class will review debates and present social science models of cities to analyse and compare contemporary developments. General Overview Help Center Urbanization is reaching a new peak in the contemporary world with the rise of mega cities. Researchers try to make sense of these large urban areas using a variety of concepts. The class will review debates and present social science models of cities to analyse and compare contemporary developments. Globalization, Europeanization processes support the rapid developments of cities in different part of the world. Urbanization is reaching a new high in the contemporary world with the rise of mega cities (beyond 15 million inhabitants) such as Calcutta, Los Angeles, Dhaka, Cairo, Tokyo, New York, Shanghai, Mexico or Seoul. Beyond the modern metropolis, researchers try to make sense of these large urban areas using a variety of concepts such as the ‘postmetropolis’, ‘global cities’, and ‘global city-regions’. The class will review debates and present social science models of cities and metropolis to analyse and compare contemporary developments. How can do we study those cities when they become mega urban regions, does size matter and for what? Do we see the making of a vast urban world or by contrast beyond the apparent convergence of complex globalisation processes understood in relation to globalised capitalism, is it possible to identify masked differentiations and the strengthening of different urban worlds? How do we make sense of this urban world when cities are not independent units but have to be understood both in terms of territories, rootedness, and at the same time in terms of relations to take into account flux, mobility, circulations ? What is the relevance of social science concepts developed in the Western world to analyse the transformation of Lagos? To what extent may the systematic development of new forms of comparison between northern cities and cities from the South change social sciences and contribute to overcome the bias towards national comparison? For the time being, given current conditions of capitalism, political, economic, cultural and social questions are increasingly becoming urban questions. In the modern conception of the world/globalcity, characterised by size, the aggregation of housing, differentiated divisions of labour, and the density of interaction, several conceptions of cities exist which have become entangled and sometimes opposed to each other. These different conceptions underline different processes of integration: the material city of walls, squares, houses, roads, light, utilities, buildings, waste, and physical infrastructure; the cultural city in terms of imaginations, differences, representations, ideas, symbols, arts, texts, senses, religion, and aesthetics; the politics and policies of the city in terms of domination, power, government, mobilisation, public policies, welfare, education; the social city of riots, ethnic, economic and gender inequalities, everyday life and social movements; and the economy of the city : the division of labour, scale, production, consumption, trade..... Classic urban questions about inequalities, housing, government, integration, are combined with issues about the urban fabric, questions of mobility and rootedness, sustainable development and risks, the making of the cyborg cities, questions of social control and riots, urban culture, innovation and urban economic development. All video produced by Sciences Po for this Mooc are under Creative Commons (BY / NC / SA) Recommended Background The course is designed for undergraduates but it also will interest graduates and professionals concerned in urban issues. The course is organized in 8 sequences and displays multimedia contents (images, video, original documents). There will be also assignments that consist in participating to discussions related to theoretical models presented in the course based on case studies of your choice, and peer assessments on your contributions. Syllabus : Week #1 : Introduction, definition, urban questions and the use of models Week #2 : European cities and the weberian model of integration Week #3 : Colonial and post colonial cities Week #4 : Industrial cities (and Socialist cities) and Marxist models Week #5 : The American metropolis and the Chicago School, Week #6 : Post metropolis, fragments and differences Week #7 : Global cities and mega cities Week #8 : Smart cities and the sociology of science and technology

Ever since our ancestors ventured onto the African savanna, human beings have searched, explored, and wondered about the world. Nowadays, and certainly for most, science is the vehicle that takes us along a path towards understanding nature. It can bring us from sub-atomic realms to the most distant galaxies. Largely through the discipline of geology, science allows us to push back the mists of time and peer into a past measured in billions of years, and aptly referred to as “Deep Time.” Climb on board! This is a journey of discovery—we'll learn about the origins of science and geology itself, to our planet’s oceans, atmosphere, and crust. The focus then turns to how geologists have probed the rise and fall of the Rocky Mountains, and we conclude by considering not only the power of science but also acknowledging its inherent price and responsibility. Certificate earners demonstrate proficiency through a few short assessments and discussion prompts and are prepared to teach or apply the material.