Graphic design is telling a story by using both images and text. With that definition in mind, this course will focus on the textual elements of graphic design. From the history of typography, the difference between type, fonts and text as well as exposure to typography spacing, students will learn the value of selecting the best kind of type and combinations of fonts to get their message across in a visually pleasing manner.

Science and Technology in the Silla Heritage The course explores the scientific and technological aspects of the cultural heritage of Silla, an ancient dynasty in Korea, and its relationship with other ancient civilizations in the world. The lecture series will cover major cultural heritage of Silla: Bulguksa, Seokguram, Cheomseongdae, Poseokjeong, the Sacred Bell of Great King Seongdeok, and metallurgy. Modern development in science and technology occurred mostly in the West. But during ancient times,various developments were madein science and technology in many countries outside of the West. In that sense, this series of lectures aims to obtain better understanding of the development in science and technology in the Silla dynasty through scientific and technological analysis of Silla cultural properties.

Delve into the research behind terrorism as you unpack the assumptions and impacts of both terrorism and counterterrorism. Terrorism has arguably been one of the defining factors of our age. It frequently makes headlines, threatening or attacking governments, private businesses, and ordinary citizens. In many parts of the world, it has been one of the most important threats to peace, security, and stability – but what does this mean exactly? On this six-week course from Leiden University, you’ll explore the essence of terrorism and discover why it is so difficult to define. Unpacking its history and the theory of the waves of terrorism, you’ll analyse both the theoretical approaches and practical applications of terrorism and counterterrorism in the real world. There are many assumptions that cloud the subjects of terrorism and counterterrorism. These myths are often created and intensified by individual bias, the government, and the media. On this course, you’ll discover different assumptions about terrorist identities and motivations, as well as the efficiencies of various counterterrorism efforts. You’ll then compare this with academic research to investigate the truth behind these assumptions. In your exploration of the impact of terrorism, you’ll delve into the culture of fear created by terrorism, as well as the success of counterterrorism policies to limit and manage its impact on society. In the final stage of this course, you’ll reflect on trends and developments in terrorism and counterterrorism. You’ll assess current academic research as well as what could be studied in the future to help.

Sports have become an ever-present reflection of American culture, and an important symbol of the divisions and alliances in our society. Sports and political change walk hand in hand in America. The way that athletes and institutions deal with questions of race, economic hardship, nationalism, and political ties have become central to the way that we understand ourselves and our society. And yet, there are those who would prefer their sports free of controversy and opinion. Dedicated athletes, coaches, and media personalities have pushed back against this refrain, demanding to be seen not just as entertainers but as fully formed humans with political opinions and experiences. Their struggles against injustice have changed the face of America and kicked off a reckoning within modern-day sports. How does context inform the shape and outcome of protests? What is it about sports that provides space — or doesn't — for political statements? Why do some of us expect athletes to be activists, when others would rather they "shut up and dribble"? We'll explore all of these questions and more in this class. Your professor will be NBA All-Star and TNT Sports journalist and commentator Chris Webber, who leads interviews with iconic activists, including John Carlos and Jemele Hill as they wrestle with the meanings and outcomes of their activism. You'll read and watch primary source documents about acts of protest, and academic and journalistic work that reckons with the legacies of those acts. By the end of the course, you'll have a better understanding of historical and contemporary protest moments, and be able to create and apply new ways of thinking about the activism within the world of sports in history and today.

This course provides a view of the history of spaceflight, from early writings telling of human's fascination of space through the early Russian and American space stations. Developed as an interesting and entertaining slice of space history that is accessible to anyone with an interest in human spaceflight

This condensed survey course focuses on four key periods or themes from the history of design in the West. Together we’ll trace the emergence of design as a recognized practice, why things look the way they do, and how designers approached specific design problems in their work. Students will develop an understanding of where the wide variety of today’s design practice comes from. By participating in this survey of the works of innovative groups and individuals, we outline the process by which graphic design moved from a purely instrumental practice, to becoming a demanding creative and hybridized field. Each week, a short quiz will test your knowledge of concepts, and a short reflective assignment will give you the opportunity to analyze the questions designers ask themselves today. This is an essential course for emerging designers entering the field, or for students interested in learning more about visual culture and analysis. No previous experience is required. A note about this course: This course is taught from the perspective of contemporary design, to connect ideas that helped formulate design practice from the 1850s through the 1960s to the ways that designers think today. The relationship of words and pictures in graphic design is looked at through the ever-changing social and cultural contexts, technologies, aesthetics, and politics of their eras. The definition and practice of graphic design includes all public visual communications, which is a global practice. It was the evolution of mass production and communication in the West that specifically redefined graphic design as a professional practice and is this course’s particular narrative. We hope students will consider how to connect the themes and ideas offered in this course to your own culture.

All educators will encounter students who struggle with writing. This course first focuses on the reasons student writers may be reluctant and then provides learners with a variety of strategies and practices to help reluctant writers develop a greater comfort and confidence with writing. Learners will examine classroom relationships, mentoring, scaffolding, conferencing, low-risk writing and mini-lessons, all tools and techniques that can be brought right into the classroom to help struggling writers increase student participation and success in writing. They'll conduct their own study of one reluctant writer and use their learning to help create a plan for teaching reluctant writers in their current and future classrooms.

Ideas and imaginaries inspire human capacity for great endeavours, but ‘conventional wisdom’ frequently prevents necessary change. Achievement of global sustainable development is, therefore, dependent on a profound comprehension of the preunderstandings and implicit imaginaries that form both our perception of reality and our basic confidence in the viability of transgressive action. The present-day concept and ideal of sustainable development contains many interlaced meanings and many contradictions. In order to bring out the concept’s indisputable transformative potential, and be able to gain support, promote decision-making and take action in it, it is, therefore, requisite to disentangle this mélange and shed light to the implicit preunderstandings . This course will contribute to doing so by focusing on the historical roots and multiple layers of meaning of sustainable development, and by exploring questions such as: ‘What is the historical background of the current Sustainable Development Goals?’, ‘Which imaginaries about relations between individual and collective tend to promote and prevent sustainable solutions?’, ‘How can ideas about humans and nature affect global development?’, And ‘how do we as humans react on inconstant notions of time and change?’ During this course, you will meet associate professor in history Bo Fritzbøger from Centre for Sustainable Futures as the primary lecturer and a range of cultural, natural and social scientists, all from the University of Copenhagen working with different aspects of sustainability thinking. We hope that you will join us in the course and qualify your participation in current discussions about how to achieve common sustainable development in a divided world.

You will gain a foundation for college-level writing valuable for nearly any field. Students will learn how to read carefully, write effective arguments, understand the writing process, engage with others' ideas, cite accurately, and craft powerful prose. Course Learning Objectives • Summarize, analyze, question, and evaluate written and visual texts • Argue and support a position • Recognize audience and disciplinary expectations • Identify and use the stages of the writing process • Identify characteristics of effective prose • Apply proper citation practices • Discuss applying your writing knowledge to other writing occasions

Want to know how some of the 20th century’s most celebrated artists made abstract paintings? This course offers an in-depth, hands-on look at the materials, techniques, and thinking of seven New York School artists, including Willem de Kooning, Yayoi Kusama, Agnes Martin, Barnett Newman, Jackson Pollock, Ad Reinhardt, and Mark Rothko. Through studio demonstrations and gallery walkthroughs, you’ll form a deeper understanding of what a studio practice means and how ideas develop from close looking, and you’ll gain a sensitivity to the physical qualities of paint. Readings and other resources will round out your understanding, providing broader cultural, intellectual, and historical context about the decades after World War II, when these artists were active. The works of art you will explore in this course may also serve as points of departure to make your own abstract paintings. You may choose to participate in the studio exercises, for which you are invited to post images of your own paintings to the discussion boards, or you may choose to complete the course through its quizzes and written assessments only. Learners who wish to participate in the optional studio exercises may need to purchase art supplies. A list of suggested materials is included in the first module. Learning Objectives: Learn about the materials, techniques, and approaches of seven New York School artists who made abstract paintings. Trace the development of each artist’s work and studio practice in relation to broader cultural, intellectual, and historical contexts in the decades after World War II. Hone your visual analysis skills. Use each artist’s works as a point of departure for making your own abstract paintings.